Garrett Bradley: ‘It’s important to resist the invisibility of the prison industrial complex’

Garrett Bradley: ‘It’s important to resist the invisibility of the prison industrial complex’ The director discusses her stark interrogation of the destructive stasis of the carceral state, Time. Whether training her camera on the “click-farms” of Bangladesh (Like), the disaster education centres of Japan (The Earth is Humming), or the families and loved ones permanently Read More